Saturday, May 28, 2011

WEDDING BELLS 28/05/2011






WELCOME TO THE BENGALI WEDDING


Marriages are made in heaven, goes the proverb. Two people start of a new journey towards future, hand in hand, sharing at each step new outlooks, responsibilities and love. Marriage is an auspicious occasion among us. Arranged marriage is still a common practice while love marriages, where partners choose each other without the intervention of their family members, are more prevalent in recent times.

Arranged marriages are still a widely practiced form of forming an eternal partnership where two completely unknown people tie knots for life with the initial introduction done by the help of both the families.




These relationships are more based upon the foundation of adjustments, compromises, and sacrifices and a liking for each other which blossoms into love. Bengali marriages are a mixture of pure custom, tradition and religious beliefs. It is an occasion where the entire family gather, take part in the typical Bengali ‘Adda’, regale in fanfare and remain busy in making the necessary arrangements for the invitees.
                                                             
The willingness to take responsibilities, to carry out the chores or the last tidbit marketing is met with pleasure.   There is a scenario of togetherness spread at every corner.
 Bengali marriage is a mixture of culture, tradition and rituals. It consists of numerous customs, mainly traditional, performed by the women of the house, for the new couple. The actual marriage ceremony, comprising of Vedic rituals is performed with devotion for the young couple about to set up a new life. It only takes a few hours to be completed. The social customs are certain practices which are mainly guided by the women-folk and are aptly called ‘Stri Achars'.

The Bengalimarriage ceremony like all other marriages are dependant upon numerous symbols that signifies good and evil, purity and sanctity, sexuality and other aspects of life. For instance, the colour black is not used as it indicates trite and hopelessness, while red is considered to be a sign of luck, emotion, fortune and copulation and is widely used in décor.

Banana trees are used to decorate the ‘mandap’ or the place of marriage. A banana tree produces huge number of fruits at a time. The comparison is drawn with the bride, who is also supposed to be blessed with many children. The ‘ghat’, the coconut, these all represent child bearing or pregnancy.


All these customs are meant to guide the new couple to a prosperous life and a fruitful life. These customs were more prevalent in the bygone days especially to break the unfamiliarity between the couples and help them overcome their reservations.


The actual ritual of a Bengali marriage ceremony begins with the 'Adhibas'. It is a gathering held in both the homes of the bride and the groom. It is either held on the evening before or on the day of themarriage. The elderly women of the family take an active part here. The ‘baran dala’ or a ‘koola’ i.e. a container made of bamboo, is decorated with lines drawn with sindoor.The ingredients ofthe 'baran dala' are paddy, grass, sandal, turmeric, flowers, fruits, curd, ghee, gold, silver, copper, conch shell, 'chamor' and cloth. The 'baran dala' also consists of seven beetle leaves, seven supari (beetle nuts) and seven ‘kauri’ (shell) at the bride's place while the numbers increase to nine at the groom's place. According to the  West Bengal tradition, in a different platter a 'Sri' with rice and Mashkalai (variety of whole black leguminous seed yielding gram) is made. With all these the elderly folks bless the bride and the groom.  The (durba) grass mixed with oil and turmeric are tied on the left hand of the bride and the right hand of the groom. According to East Bengali tradition the Adhibus ‘tatta’ or marriage items for the bride, are sent to the bride from groom's. 

 

Dhadhimangal or Churakaran

On the day of the marriage, before the sunrise, in both the homes of the bride and the groom, their respective mothers, along with the other five ladies, bless the bride and the groom and treat them with curd and chira (crushed rice). The bride and the groom and their respective mothers and fathers have to fast till the marriage is over. If the sampradan is done by someone else other than the father, he or she has to fast through out the day too. According to the Hindu traditions fasting is common in all occasions and is a wonderful process of cleansing the body and the soul.


Nandimookh or Briddhashrddha
In the morning of the marriage, any male relative of both the bride and the groom have to perform certain rituals to please the souls of the long gone forefathers. They take a solemn vow before the commencement of the religious ceremony mentioning the purpose for which it is intended and offer prayers to Lord Ganesh and a Devi along with an auspicious symbol painted the inner wall of a room (Basudhara).


Jal soha
It is the arrangement for the water to be used by the bride and the groom to take a bath after the ‘gaye holud’. This water taken from the nearby reservoir is made to drip from the urn all along the path, till the person carrying it reaches the temple. Here water is collected from a married woman who is given lac dye (alta) and sindoor (vermillion). From the temple the married female relative goes around the neighbourhood to collect water. Later the bride and the groom in their respective houses are made to sit in the midst of four banana plants arranged at the four corners of a square plot. The ritual 'Gaye Holud' is performed and later are bathed with the water collected. 


Gaye Holud

This is the main ‘Stri-Achar’. According to the West Bengal tradition ‘Gaye Holud Tatta’ is sent to the bride from the groom's place. In this 'Tatta' or gift package the turmeric used by the groom is sent. This turmeric paste along with the turmeric paste of the bride's place is applied on the bride and other relatives after the barber shapes their nails. Then the bride and the groom are bathed. The bride has to carry a 'kajol lata' (corrilium container) while the groom has to carry 'janti' (beetle nut cracker). Scientifically, turmeric drives away germs and the colour  represents splendor.


Basor Ghar
On the wedding night the bride and groom stay awake the whole night and are accompanied by young people who spend the night playing games, singing and dancing and performing 'Stri Achar'. 



Bashi Bibaha 
The morning after the marriage is also considered important for some places. The sindur ceremony is performed and the bride and the groom offer prayers to the Sun God. Another ritual known as 'Konokanjoli' is performed where the bride throws a handful of rice grains behind her indicating the clearance of her debts to her parents. This ritual is of course obsolete.


Badhubaran
The groom returns home with the bride, the day after the marriage. The mother in law welcomes the bride while she sets her feet in her new home in a traditional Bengali style. The alpana or the design which is applied to decorate the grooms's place is known as 'Bouchatra'. The bride groom sets her feet on the alpona holding a fish in one hand and a pot of water on the other. These outdated rituals were tests to gauge the bride's capability to perform household chores and hold the husband's attention with an underline tone of sexuality. Then the bride and the groom both are blessed by the elders in the family and sweets are given to eat. 



Kalratri
The night after the marriage is called Kal ratri. This night the bride is not supposed to meet the groom. This custom probably has been derived from the myth of Lakhinder and Behula in the Manasamangal Kavya, in which Lakhinder died of snakebite on this day due to the curse of Devi Manasa.



Bhat Kapar
The day next, the groom offers new garments and food in new utensils to the bride. The groom promises to take care of his better half till death through this ceremony.



Bou Bhat 
A day after the  marriage day is the “Bou Bhat”. This is the day when the new bride serves the guests a delicacy called ‘Ghee bhat’ (a mixture of rice with ghee). In the evening there is a get together of the two newly related families and guests. 

                                     


FulSajya
At night the 'Ful Sajya' is held in the house of the groom. The bride and the groom spend their first night together in a bed of flowers. From this day, the bride and the groom are truly man and wife.


Dwiragaman
Eight days after the marriage, the bride returns to his father’s home, accompanied by her husband. This is also known as “Ashtomongola” orDwiragaman . On this day the ‘Gat chara’ is unknotted. The newly wed couple spends the night at the home of the bride. 

              "The Ashtomongola marks the end of the Bengali marriage ceremony."



                        

                                                      

Tuesday, May 24, 2011

PLANET WISHLIST (24th May)


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Life is a battle n the saying "survival of the fittest" is the hardcore truth. Every1 2day is busy to get something or the other... Money, Fame, Position, Girls, Love, Sex, like me a job or "HAPPINESS” But during this rat race they 4get a minute thing " DREAMS". 



Wen u r a kid u hav options of making mistakes n rectifying it but as u start growin older things bcum lill or rather I wud say very complicated. 


I was also not spared by these complications. Always busy in proving people “I can".  Each day has been an avalanche for me. Proving my parents that their daughter is bad but has few gud quality that they always miss while comparing me with others. 

Feeling of dejection makes me more n more aggressive. I  want to tell every1 that yes I dream n I am a day dreamer. 


My eyes closed, I saw thousands of clouds, bright colors, a hand which I was holding n a voice calling my name n sayin me to hold her hand tightly.


I tried to c her who she was n asking her where n why she's taking me.. But never she wud turn around. While passing through the cloudy roads I saw a girl in a 3 wheel cycle circling round n round n round... To my horror wen she turned ..........it was me.. 




She with a wicked smile asked me " R u Happy?" I cudn't move justed wanted 2 run. But still I cudn't move. She said me " Don't b afraid. I'm "U" 21 years ago. I was shivering with fear but some how managed to calm myself n asked her "wat is she doing?" She said "I go with u where ever u go". I was surprised what she uttered coz I have never seen this me ever. 




She once again asked me "R u happy?". To which I said "yes I am". She smiled again n said "U hav a long journey now, go". I cudn't understand wat she meant with long journey, wat is she trying to tell, where am I???? So many question rushing like sports car.  But suddenly I was pulled by some1 n I once again started to move between the clouds. I saw the same lady holding my hands. Still unable to c her face. 

While passing I saw so many people whom I knew .. my childhood friends, my house, school, classroom but I was not allowed to meet any1 I suppose coz the hand was pulling me so very fast.. It seems that she was in a great hurry. At last v reached a place which looked like a playground. My feet struck abruptly n a sudden jerk made me fall on the ground. 

I turned back angrily. The next thing which I saw was unexplainable. I was standing all alone in between the ground. I cudn't believe my eyes. I turned ere n there to c that hand who was with me all the way. But I cudn't c her any where.. I was surprised, scared, taken aback. I was strangled in an unknown land where I knew no1. I was asking myself question that how wud I go back to Faridabad. 

Wen a noise broke the silence. I was very happy that the lady who accompanied me was back. Alas! I was wrong. It was "A paper ". I walked 2wards it n picked it up. Nothing was written except the word"WISHLIST". I looked here n there, called out loud " Koi Hai, Kiska hai bhai" to c that some1 might have misplaced it n looking for it. But no1 came to fetch that. I wondered..... The word wishlist was written in multicolored sketch pens.

Don't knw y but I took that paper n sat on a stone which was near by. Looking at the paper I thought"that till the time somebody is not coming lets c wat can I write on this paper". But I ad no pen or pencil.. It disgusted me coz it was the only way that I cud kill the time.. I was freakin-ly annoyed. Kicking my foot in disgust also didn't comfort me.I once again sat n looked here n there in hope of seein some1 wen my eyes fell on the ground. I saw a red color thing. Bent on my knees n fiddling in the ground I found it. It was Camel ..... Guys Camel Pencil. 


It gave me a sense of achievement. Never thought that a pencil can be so very important but it was believe me. This time i hold the pencil as tight as possible so that it doesn't go anywhere. I was pondering on this topic wen I realized the thing which I wanted was to TRAVEL. I always saw myself  in an army green shorts, white T, a camera, woodland shoes, rayban shades, bagpack & Ladakh. I wrote it down on the sheet.


Then I thought for a while n a smile came on my face. The next thing which I saw was a hill station surrounded by fog. Wooden doors, glass walls, couches; red, yellow, purple, blue, black, brown, green, round tables, book shelves, sound of vending machines, smell of freshly backed cookies, cheese cakes, sound of coffee pouring in cups, aroma, door opening n closing, n then suddenly I saw a roof, a table n a chair, a cup of brewed black coffee, a book by Satyajit Ray on the table n a lady in white frock. It was me...... Opened my eyes n wrote it down too.


While scratching head I saw an ant moving n taking something with it which reminded me of  four wheels, a macho mold of steel painted black, black glasses of my car Safari at 110km/hour running on the Rajasthan highway. Me driving n on the back seat r my parents, my husband, my mother-in law, my brother-in- law. All laughing 2gether n having Unclechips.My hubby holding my left hand.... This also was on the paper.


Next I saw a flat in DLF phase 3 Gurgaon. I knocked n I saw my hubby opening the door. I entered n saw the floor was of marble, there was no sofa, huge colorful cushions where on the floor with pillows all around, couches, side lamps, black curtains, biddes, scented candles, lemon grass  fragrance. I moved 2wards the bed room. There where 2 bedrooms. I went to the left room. The bed was low n dark brown in color, bed side tables, Almira, Iron stand, Tv stand which was also wooden, flower vases.. It was beautiful.. Bathroom had a bathtub, glass shower cubical, glass washbasin.... Kitchen was open one...



I was writing it down on the page wen I felt a pull once again. In a hurry I dropped the paper. I wanted to collect the sheet but cudn't. The pull was very strong this time. My hands where paining. I shouted and asked the lady that why didn't she let her pick the page, where r they heading n all but the lady didn't answer me.. I was disgusted. I tried hard enough to set myself free but was unable to manage. I gave one last shot to go back when suddenly the pull stopped , the clouds vanished, the hands moving away.... I shouted n asked the lady " Who r u?" I knew she wont answer but this she turned n I cudn't believe my eyes it was "ME 21 years later". I was dumbstruck. I was unable to breath.. wat was happening...

But this time she spoke" I'm ur future. But the present that u r in is treasure which u shud utilize. I took u to the PLANET WISHLIST coz u had forgotten ur happiness, wishes, dreams, aspirations n where running after something which u never wanted...  

GO N complete ur "WISHLIST".



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